No demand to introduce this one. This product has fabricated its way into pop culture nomenclature and has been responsible for more than boob tube reality stars' music careers than just most any network executive. Y'all've guessed it, we're dealing with Antares Auto-Tune. Although a lot of people take blamed this tool on the decline of music, I feel that Antares isn't even a fraction every bit liable as the public believes they are. It is the overuse of the tool by individuals that has given Antares the bad rap. I don't see people blaming Paul Mitchell for all these obnoxious faux-hawks, and so why blame Auto-Tune. There have been plenty of examples of this plugin being used for extremely innovative projects. Nosotros've all seen the Double Rainbow video… I mean… c'monday.

Auto-Tune EFX three is obviously Antares' third revision of the lighter version of the total blown AutoTune7 software. It is a scaled dorsum version that can be used in either live or post environments and acts more every bit tool for either polishing vocal tracks' pitch or as an issue. I've endemic Auto-Tune EFX ii and found it to exist used more than as an "autopilot" upshot based plugin, only EFX iii seems to take improvements and more controls. Information technology has also included an AAX64 version to motility it on up to ProTools 11 standards.

Allow's outset with the improvements. Instead of simply having a slider bar that lets you chose betwixt three choices of pitch correction, Antares have added 2 slider bars that allow you to fine tune the verbal corporeality of correction beyond the rails. The "Retune Speed" is responsible for how subtle or verbose the correction set on and tune algorithm works and the "Humanize" slider adds a piffling leeway in the long notes, giving you more natural variation of pitch drift in longer notes.

Another fun feature that came about in EFX ii was the Automobile-Motion bar across the bottom that offers selectable scales and patterns, that when triggered, retune the signal in a rhythmic design. This was one of my favorite things to use in the studio when fatigue would set in on a session and the vocalist needed a niggling jolt. Just throw an arpeggio in the pattern selector and press the trigger push button, and on a overnice long note, your vocalist will get a nice surprise. Perfect for those times when you need to proceed someone on their toes. In a more professional use, it is perfect for synth leads and even guitar solos (try it). EFX iii carries over EFX ii's Car-Motion pattern editing with any software that allows editing of MusicXML files. Editing the patterns are adequately straight-forward but merely be careful placing files into the database lest y'all overwrite all of the stock patterns Auto-Tune supplies. This can add movement to background tracks in limitless scale and rhythmic possibilities.

It's a very like shooting fish in a barrel to apply programme that does most of the work for you. I volition say the performance of the pitch correction actually is a large improvement from EFX 2. I found with EFX 2, I used it more for that "poppy" sounding difficult tune event; but with EFX 3, I was frequently using it on vocalist who didn't need Melodyne. Sometimes I would fifty-fifty exercise a fast Melodyne edit on vocal tracks and allow Antares take command of the drift and assail settings. They actually pair quite nicely and now that the pitch correction algorithm is improved, information technology works as a great subtle polishing tool. One matter I wish they would add to the Auto-Motion pattern is the ability to harmonize the pattern, giving you lot a rhythmic "background harmony" track. EDM music would take full advantage of that characteristic, just for now, it'south easy enough to scale the single note in Machine-Motion and put it back into AutoTune7 or Melodyne and create harmonies from in that location.

Overall, I observe EFX three to be a vast comeback over EFX two and well worth the upgrade. Getting AAX-64 lets you motility into Pro Tools xi, editing your Automobile-Movement gives yous added creative utilize, and the improved pitch correction settings make subtle editing a cakewalk. If yous're looking for the ultimate in pitch correction "cruise command," you've come to the right place. A discussion of communication would exist to use it creatively so as not to take more people sending hate mail to Antares for "imitation militarist" music.
For more than information and to buy visit http://www.antarestech.com/products/detail.php?product=Auto-Tune_EFX_3_65

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